Manga, anime

Libri:

TSURUMI, Shunsuke. “Comics in postwar Japan”. In A cultural history of postwar Japan 1940-1980. London : KPI, 1987 (210.7/39) p. 28-45

IMAMURA, Taihei. “Comparative study of comics : American and Japanese, Sazae-san and Blondie”. In Japanese popular culture: studies in mass communication and cultural change. Ed. by Hidetoshi Kato. Rutland, Vt. : Tuttle, 1959 (301/30730) p. 87-102

HATANO, Kanji. “Children's comics in Japan”. In Japanese popular culture: studies in mass communication and cultural change. Ed. by Hidetoshi Kato. Rutland, Vt. : Tuttle, 1959 (361\103) p.103-108

LENT, John A. “Japanese comics”. In Handbook of Japanese popular culture ed. by Richard Gid Powers and Hidetoshi Kato. New York : Greenwood Press, 1989 p. 221-242. ( (R) 361/47) (*questo libro non pu essere preso in prestito, ma si possono richiedere le fotocopie delle pagine indicate).

SCHODT, Frederik. Manga! Manga! The world of Japanese comics. Tokyo : Kodansha, 1983 (726/1)

SODEI, Rinjiro. “Satire under the occupation: the case of political cartoons”.  In The occupation of Japan: arts and culture: the proceedings of the six symposium sponsored by MacArthur Memorial, Old Dominion University, The General Douglas MacArthur Foundation, 18-19 October 1984. Ed. by Thomas W. Burkman. Norfolk, VA.: Douglas MacArthur Foundation, 1988 (210.7/57) p. 93

Schodt, F.L. Dreamland Japan: writings on modern Japan. Berkeley: Stone Bridge Press, 1996. (726/3)

Phillips, S. Erzhlform manga: eine analyse der Zeitstrukturen in Tezuka Osamus “Hi no Tori” (Phnix). Wiesbaden: O. Harrassowitz, 1996.  (726/4)

Pellitteri, M. Mazinga nostalgia: storia, valori e linguaggi della Goldrake-generation. Roma: Castelvecchi, 1999. (726/5)

Pellitteri, M. Mazinga nostalgia: storia, valori e linguaggi della Goldrake-generation dal 1978 al nuovo secolo; 1 Roma: Tunuè, 2018. (726/69(1))

Pellitteri, M. Mazinga nostalgia: storia, valori e linguaggi della Goldrake-generation dal 1978 al nuovo secolo; 1 Roma: Tunuè, 2018. (726/69(2))

Castellazzi, D. Animeland: viaggio tra i cartoni made in Japan. Firenze: Tarab, ©1999. (726/6)

Prainito, C. Il Giappone e la cultura  postmoderna: il manga e l’arte di comporre il fumetto. Umpublished thesis (tesi di laurea). Roma, Università degli Studi “La Sapienza”, a.a. 1996-’97.  (099.72/1)

Ueda, Atsushi, ed. “The Manga City”.  In The Electric Geisha: exploring Japan's popular culture. Tokyo: Kodansha International, 1994: p. 229-.  (361/89)

Poitras, G. The anime companion: what’s Japanese in Japanese animation? Berkeley: Stone Bridge Press, c1999.  (778.21/56)

McCarthy, H. Hayao Miyazaki: master of Japanese animation. Berkeley: Stone Bridge Press, c1999.  (778.21/57)

Mazzieri, M. Aspetti dei fumetti giapponesi e loro interpretazione. Unpublished thesis (tesi di laurea). Macerata, a.a. 1999-2000.  (099.72/2)

Kinsella,S. Adult manga: culture and power in contemporary Japanese society. Richmond: Curzon Press, 2000.  (726/7)

Allison, A. Permitted and prohibited desires: mothers, comics, and chensorship in Japan. Berkeley; London: University of California Press, 2000.  (384/26)

Lucianetti, S., and Antonini, A. Manga: immagini del Giappone contemporaneo. Roma: Castelvecchi, 2001.  (726/8)

Napier, S. Anime: from Akira to Princess Mononoke: experiencing contemporary Japanese animation. New York: Palgrave, 2001.  (778.21/68)

Manga: une plongee dans un choix d’histoires courtes. Paris: Maison de la culture du Japon a Paris, 1999 (catalogo mostra).  (C726/4 no prestito)

 

“Comics and animation”. Part II in Japan pop! inside the world of Japanese popular culture, edited by Tomothy J. Craig. Armonk; London: M.E. Sharpe, c2000. (361/149)

“Japanese popular culture abroad”. Part IV in ----------------------------------------------------------------------

McLelland, Mark J. “The love between ‘beautiful boys’ in women’s comics”. Chap.4 in Male homosexuality in modern Japan: cultural myths and social realities. Richmond: Curzon, 2000.  (384/28)

Stewart, F., and Lowitz, L., eds. “From Barefoot Gen: Keiji Nakazawa”. pp. 124-141 in Silence to light: Japan and the shadows of war. Honolulu: University of Hawai’i Press, 2001.  (918.6/9)

Tsuji, N. “Early medieval picture scrolls as ancestors of anime and manga”. In Births and rebirths in Japanese art, edited by Nicole Coolidge Rousmaniere. Leiden: Hotei, 2001. (702.1/56): pp.53-82.

Hibbett. H. “Clasic comics”. Chap. 4 in The Chrysanthemum and the fish: Japanese humor since dhe age of the shoguns. Tokyo; New York; London: Kodansha, 2002.  (910.2/39)

Orbaugh, S. “Busty battlin’ babes: the evolution of the shojo in 1990s visual culture”. Chap 11 in Gender and power in the Japanese visual field, ed. By J.S. Mostow, N. Bryson, and M. Graybill. Honolulu: University of Hawaii Press, 2003.  (702.1/57)

Mulinacci, D. Storia del fumetto giapponese: dagli anni settanta alle ultime tendenze. Venezia: Musa, 1998.  (726/10)

Cofano, D. Nipponcartoon: immagini, miti, strategie. Milano: Franco Angeli, 1999.  (778.21/77)

Ghilardi, M. Cuore e acciaio: estetica dell’animazione giapponese. Roma: Esedra editrice, 2003.  (778.21/81)

Di Fratta, G. Il fumetto in Giappone: dagli anni Settanta al 2000. Caserta: L’Aperia, 2004 (?). (726/11)

Rumor, M.A. Come bambole: il fumetto giapponese per ragazze. Latina: Tunue', 2005. (726/ 12)

Ponticello, R. and Scrivo, S., eds. Con gli occhi a mandorla: sguardi sul Giappone dei cartoon e dei fumetti.  Latina: Tunue', 2005. (726/ 13)

Gravett, P. Manga: sixty years of Japanese comics. London; New York: Laurence King Publishing; Harper Design International, 2004. (726/ 14)

Fukushima, Y. Mangadiscourse in Japanese theater: the location of Noda Hideki’s Yume no yuminsha. London; New York: Kegan Paul, 2003.  (772.1/37)

Sunaoshi, Y. “Who reads comics? Manga readership among first-generation Asian immigrants in New Zealand”. Chap. 6 in Popular culture, globalization and Japan, ed. by Matthew Allen and Rumi Sakamoto. London; New York: Routledge, 2006.  (361/169)

Tsurumi, S., and Yomota, I. “Japanese kokoro as seen through manga”. Chap. 2 in Japanese kokoro. Tokyo: Iwanami shoten, 2001.  (361/170)

Stefanelli, M., ed. Fumetto international: trasformazioni del fumetto contemporaneo. s.l.: Drago, 2006. (726/16)

Cavallaro, D. The anime anime art of Hayao Miyazaki. Jefferson, North Carolina; London: McFarland & Co., 2006.  (778.21/97)

Cavallaro, D. The cinema of Mamoru Oshii: fantasy, technology and politics. Jefferson, North Carolina; London: McFarland & Co., 2006.  (778.21/98)

Kern, A.L. Manga from the floating world: comicbook culture and the kibyoshi of Edo Japan. Cambridge, Mass.; London: Harvard University Press, 2006.  (913.5/43)

Montosi, A. Ufo robot Goldrake: storia di un eroe nell’Italia degli anni ottanta. Roma: Coniglio editore, 2007. (726/18)

Brigitte-Koyama,Richard. Mille anni di manga. Milano: Rizzoli, c.2007. (726/19)

Carpita,Gloria. Teoria e semiotica della scrittura:le icone narrative del fumetto tra occidente e oriente.(unpublished thesis), Roma, a.a.2006-2007.(099.72/4)

Lunning, F., ed. Mechademia: emerging worlds of anime and manga. Minneapolis; London: University of Minnesota Press, 2006.  (726/21)

Lunning, F., ed. Mechademia 2: networks of desire. Minneapolis; London: University of Minnesota Press, 2007.  (726/21(2) )

Lunning, F., ed. Mechademia 3: limits of the human. Minneapolis; London: University of Minnesota Press, 2008.  (726/21 (3))

Schodt, F.L. The astro boy essays: Osamu Tezuka, Mighty Atom, Manga/Anime revolution. Berkeley: Stone Bridge Press, 2007.  (726/22)

MacWilliams, M.W, ed. Japanese visual culture: explorations in the world of manga and anime. Armonk, N.Y.; London: M.E.Sharpe, 2008.  (726/23)

Rumor, M.A. The art of emotion: il cinema d’animazione di Isao Takahata. Rimini: Guaraldi, 2007? (778.21/105)

Pellitteri, M. Il drago e la saetta: modelli, strategie e identità dell’immaginario giapponese. Latina: Tunué, 2008.  (361/182)

Pellitteri, M. Sense of comics: la grafica dei cinque sensi nel fumetto. Roma: Castelvecchi, 1998.  (726/24)

Bolton, C., et al., eds. “Science fiction animation”. Pt. II in  Robots Gosts wired dreams : Japanese science fiction from origins to anime. Minneapolis; London: University of Minnesota Press, 2007.  (910.26/89).

Tognoli, N. I manga nella cultura popolare italianadegli ultimi trent’anni. Umpublished thesis, Università di Pisa, a.a. 2008-2009.  (099.72/5)

Fabbri, F. Lo zen e il manga: arte contemporanea giapponese. Milano: B. Mondadori, 2009.  (702.16/25)

Goto-Jones, C. The Asiascape collection v.1: essays in the exploration of CyberAsia. Leiden: Modern East Asia research Centre, Leiden University, 2010. (726/25)

Rosati, R., and Di Pietro, A. Da Maison Ikkoku a Nana: mutamenti culturali e dinamiche sociali in giappone tra gli anni Ottanta e il 2000. San Marco Evangelista (CE): La Torre, 2011. (726/26)

Maison de la culture du Japon à Paris. Manga: une plongée dans un choix d’histoires courtes. Paris: Maison de la culture du Japon à Paris, © 1999. (726/27)

Papp, Z. Anime and its roots in early Japanese monster art. Folkstone, UK: Global Oriental, 2010.  (726/28)

Papp, Z. Traditional monster imagery in manga, anime and Japanese cinema. Folkstone: Global Oriental, 2011.  (726/29)

Calderone, F. Universo manga: indagine sui lettori di fumetto giapponese in Italia. San Marco Evangelista, Ce: soc. ed. La Torre, 2011.  (726/31)

Dall’ukiyo-e all’illustrazione contemporanea: la grande grafica giapponese. Torino: Accademia Albertina di Belle Arti di Torino, 2010.  (726/32)

Prough, J.S. Straight from the heart: gender, intimacy, and the cultural production of shojo manga.  Honolulu: University of Hawai’i Press, 2011.  (726/33)

Napier, S.J. “From spiritual fathers to Tokyo Godfathers: depictions of the family in Japanese animation”. Chap.3 in. Imagined families, lived families: culture and kinship in contemporary Japan, ed. by A. Hashimoto and G.W. Traphagan. New York: Suni Press, 2008.  (367/130)

Bouissou, Jean-Marie. Il manga: storia e universi del fumetto giapponese. Latina: Tunué, 2001.  (726/36)

Johnson-Woods, T., ed. Manga: an anthology of global and cultural perspectives. New York: Continuum, 2010. (726/42)

Steiff, J., and Barkman, A., eds. Manga and philosophy: fullmetal metaphysician. Chicago: Open Court, 2010. (726/43)

Thomas, J.B. Drawing on tradizion: manga, anime, and religion in contemporary Japan. Honolulu: University of Hawaii Press, 2012. (726/44)

Ingulsrud, J.E, and Allen, K. Reading Japan cool: patterns of manga literacy and discourse. Lanham: Lexington Books, 2010.  (726/45)

Rosenbaum, R., ed. Manga and the representation of Japanese history. London; New York: Routledge, 2013. (726/46)

Bryce, M., Barber, C., and Plumb, A. “Manga  and anime: fluidity and hybridity in global imagery”. Chap. 14 in Researching twenty-first century Japan: new directions and approaches for the electronic age, ed. by T. Iles and P. Matanle. Lanham: Lexington Books, 2012.  (302.1/81)

Berndt, J. “Un mangaka con la missione educative: Takemiya Keiko”. in Japan pop: parole, immagini, suoni dal Giappone contemporaneo. a cura di Gianluca Coci. Roma: Aracne, 2013.  (704/9): p.245-269.

Miyake, T. “L’italia nei manga: specchio identitario e convergenza mangaesque”. in --------- (704/9): p. 283-314.

Shamoon, D. Passionate friendship: The aesthetics of girls’ culture in Japan. Honolulu: university of Hawaii Press, 2012.  (726/34)

Pellitteri, M. “Il fenomeno One piece. Le ragioni della popolarità di un manga/anime che ha battuto tutti i record”. in ---------------------  (704/9): p. 355-365.

Miyake, T. “Popularising the nuclear: Mangaewque convergence in post-war Japan”. in Rethinking nature in contemporary Japan: science, economics, politics, ed. by Mariotti, M., Miyake, T., Revelant, A. Venezia: Edizioni Ca’ Foscari, 2014. (369/66): p. 71-93.

Novielli, R. Animerama: storia del cinema d’animazione giapponese. Venezia: Marsilio, 2015. (778.21/151)

Napier, S. “Manga and anime: entertainment, big business, and art in Japan”. in: Bestor, Victoria Lyon; Bestor, Theodore C.; Yamagata, Akiko, eds. Routledge handbook of Japanese culture and society. London; New York: Routledge, 2011. (302.1/78): p. 226-237

Igort. Quaderni giapponesi: un viaggio nell’impero dei segni. Roma: Coconino Press, 2015. (726/50)

Schilling, M., ed. Beyond Godzilla: alternative futures and fantasies in Japanese Cinema. Udine: Centro Espressioni Cinematografiche, 2016. (C 778.22/6 (2))

Bartoli, F. Mangascienza: messaggi filosofici ed ecologici nell’animazione fantascientifica giapponese per ragazzi. Latina: Tunué, 2011. (726/53)

Watanabe, Y., Vignati, M. Corso manga: guida pratica al fumetto giapponese. Roma: Dino Audino, 2011. (726/54)

Suan, S. The anime paradox: patterns and practices through the lens of traditional Japanese Theater. Leiden: Global Oriental, 2013. (778.21/205)

Denison, Rayna. “The global markets for anime: Miyazaki Hayao's Spirited Away (2001) [Sen to Chihiro no kamikakushi]”. In: Phillips, Alastair; Stringer, Julian, eds. Japanese cinema: texts and contexts. London; New York: Routledge, 2007.  (778.21/101): p.308-321

Calderone, F. Anime e manga: alla scoperta del fumetto e dell’animazione giapponesi. Vasto: Caravaggio editore, 2011.  (726/58)

Otmazgin, N., and Suter, R. Rewriting history in manga: stories for the nation. New York: Palgrave Macmillan, 2016.  (726/59)

Arnaldi, V. Hayao Miyazaki: un mondo incantato. Roma: Ultra, 2014.  (778.21/207)

Arnaldi, V. Corpi e anime: nudo ed erotismo nell’animazione giapponese. Roma: Ultra, 2016.  (778.21/208)

Nacci, J. Guida ai super robot: l’animazione robotica giapponese dal 1972 al 1980.  Bologna: Odoya, 2016.  (778.21/209)

Swale, A.D. Anime aesthetics: Japanese animation and the ‘post cinematic’ imagination. New York: Palgrave Macmillan, 2015.  (778.21/210)

Chapman, J.L., Ellin, e., and Sherif, A. Comics, the holocaust and Hiroshima. New York: Palgrave Macmillan, 2015.  (726/62)

edited by McLelland, Mark [et al.].  Boys love manga and beyond: history, culture, and community in Japan. Jackson: University Press of Mississippi, 2015 (726/65)

Mazzola, Giorgio. Akira Toriyama: il mangaka sorridente. Piombino (LI): Il foglio, 2014. (726/66)

Suzuki, T. Mixing work with pleasure: my life at Studio Ghibli. Translated by Roger Speares. Tokyo: Japan Publishing Industry Foundation for Culture, 2018. (778.21/220)

“Anime”, part VII in Introducing Japanese popular culture. Ed. by Freedman, A. and Slade, T.. London: Routledge, 2018. (361/214) p.227-262

“Manga”, part VIII in Introducing Japanese popular culture. Ed. by Freedman, A. and Slade, T.. London: Routledge, 2018. (361/214) p.263-310

 

 


 

Articoli:

“The magic of manga”. Japan Update  n. 12, (Summer 1989): p. 27-30

CORMIER-RODIER, Batrice e FLEURY-VILATTE, Batrice. “Il boom dei cartoni animati”.  In Il Corriere dell'Unesco  n.12 Dicembre 1992 p. 17-20

NAPIER, Susan J. “Panic sites: the Japanese imagination of disaster from Godzilla  to Akira”. In Journal of Japanese Studies vol. 19 n.2, Summer 1993 p.327-351

ORSI, Maria Teresa. “Il fumetto in Giappone: 1) l'evoluzione del 'manga' dall'era Meiji alla guerra del Pacifico”. In Il Giappone anno XVIII, 1978 p.131

---------------. “Il fumetto in Giappone: 2) dal dopoguerra al trionfo del 'gekiga'”. In Il Giappone anno XX, 1980 p.103

----------- “Il fumetto in Giappone 3) l'evoluzione degli anni Sessanta e le ultime proposte”. In Il Giappone anno XXI, 1981 p.93

YONATSUME, Fusanosuke. “The manga sampler: a smooth operator”. Look Japan July 199,5 n. 472, p. 20-21.

-------------------. “The manga sampler: artist of the next world: Osamu Tezuka”. Look Japan August 1995, n. 473 p.20

---------------------. “The manga sampler:  spoiling the boy: what is it with Asians and the cartoon Doraemon?” Look Japan September 1995, n. 474 p.20

-----------------. “The manga sampler: power with range: Shōtarō Ishimori”. Look Japan October 1995, n. 475 p. 20-21.

----------. “The manga sampler: mightier than the sword: Sanpei Shirato”. Look Japan November 1995, n.476 p. 20-21.

--------------. “The manga sampler: Goblins, hobgoblins, and the folly of war: the manga of Shigeru Mizuki”. Look Japan December 1995, n. 477: p.20

-------------------. “The manga sampler: the professional golgo 13”. Look Japan January 1996, n. 478 p.20

-------------------.”The manga sampler: the night crabs”. Look Japan February 1996, n. 479 p. 20-21.

-------------------. “The manga sampler: writing the world's wrongs”. Look Japan March 1996, n. 480 p. 20-21.

-------------------. “The manga sampler: Akira acclaimed”. Look Japan April 1996, n. 481 p. 20-21.

-------------------. “The manga sampler: are you cat?”. Look Japan May 1996, n. 482 p. 20-21.

-------------------. “The manga sampler: stages of enlightenment”. Look Japan June 1996, n. 483 p. 20-21.

-------------------. “The manga sampler: love's laughter”. Look Japan July 1996, n. 484 p. 20-21.

-------------------. “The manga sampler: Run, Silent Service, Run Deep”. Look Japan August 1996, n. 485 p. 20-21.

------------------. “The manga sampler: the Blathering Boy, the Gogglee-Eyed Cop, and the Tipsy-Turvy Teacher”. Look Japan September 1996, n. 486 p. 20-21.

----------------. “The manga sampler: the Kidd Detective gets on your case”. Look Japan October 1996, n. 487 p. 20-21.

-----------------. “The manga sampler: less is more fun”. Look Japan November 1996, n. 488 p. 20-21.

------------------. “The manga sampler:quiet lives off exploration”. Look Japan December 1996, n. 489 p. 20-21.

“Tezuka Osamu, father of postwar manga culture”. The East  31 n.3 Sep-Oct. 1995 p. 6

KAWAMOTO, Saburo. “The darkness of Godzilla”. The East  vol. 31 n.3 Sep-Oct. 1995 p. 28

“Japanese culture through the lens of Manga”. In The East  vol. 31 no.44 (Nov-Dec. 1995), p.51-56.

KINSELLA, Sharon. Change in the social status, form and content of adult manga, 1986-1996.    Japan Forum, vol. 8 no.1 (March 1996) p. 103

Manabe, M. “The wonderful world of anime”. Look Japan  43 n.494 (May 1997): p. 17.

Marume, K. “From Dragon Ball to Dragon Youth: sampling the reciprocity of Japanese and Asian culture”. Look Japan  43 n.494 (May 1997): p. 30-31.

Shoguchi, Y. “Shiori on my mind: Fujisaki Shiori and her highschool girlfriends have Japanese men going gaga”. Look Japan  43, n. 498 (Sept 1997)

Kinsella, S. “Japanese subculture in the 1990s: Otaku and the amateur manga movement”. The Journal of Japanese Studies  24, n.2 (Summer 1998): p. 289-316.

Satō, K. "More animated than life: a critical overview of Japanese animated films". Japan Echo  24, n.5 (Dec. 1997): p. 50-53.

Kubo, M. “Why Pokémon was successfull in America”. Japan Echo 27, n.2 (Apr.2000): p. 59-61.

Fusco, G. “Il disegno giapponese tra manga e comics”. Atti XXII Convegno A.I.STU.GIA. (Sett. 1998): p. 325-354.

Satonaka, M. “Look back in manga: what is behind the growing affection worldwide for ‘weird’ Japanese manga?” Look Japan 46, n. 530 (May 2000): p. 34-36.

Natsume, F. “Japan’s manga culture”. The Japan Foundation Newsletter XXVII, n. 3-4 (March 2000): p. 1-6.

Thorn, M. “Shōjo manga: something for girls”. Japan Quarterly 48, n.3 (July-Sept. 2001): p.43-50.

Duus, P. “Presidential address: weapons of the weak, weapons of the strong: the development of the Japanese political cartoon”. The Journal of Asian Studies 60, n.4 (Nov. 2001): p. 965-998.

Hebert, X. “Tezuka Osamu, esprit novateur du manga”. Ebisu 27 (Aut-Hiv. 2001): p. 139151.

Natsume, F. “Japanese manga encounters the world”. Japan Echo 29, n.3 (June 2002): p. 63-66.

Ono, Kosei. “Girls’ own comics (shojo manga)”. Look Japan 48, n.558 (Sept. 2002): p. 34-6.

Numero speciale sugli anime. Japan Forum 14, n.2 (2002)

Kondo, M. “Japanese creativity: robots and anime” Japan Echo 30, n. 4 (Aug. 2003): p.6-8.

Sena Hideaki. “Astro Boy was born on April 7, 2003”. Japan Echo 30, n. 4 (Aug. 2003): p. 9-12.

Asakura, R. “The androids are coming”. Japan Echo 30, n. 4 (Aug. 2003): p. 13-18

Napier, S., and Okada, T. “Japanese anime and its American fans”. Japan Echo 30, n. 4 (Aug. 2003): p. 19-22.

Mariotti, M. “Proposte per un’analisi sociologica degli anime giapponesi per la prima infanzia. L’esempio di Soreike! Anpanman”. Annali di Ca’ Foscari XLII, n.3 (2003):p. 321-345.

Special feature:  “The cutting edge of cool”. Asia-Pacific perspectives (May 2004): p. 6-19.

Mizoguchi, A. “Male-Male romance by and for women in Japan: a history and the subgenres of Yaoi fictions”. U.S.-Japan Women’s Journal 25 (2003): p. 49-75

Nagaike, K. “Perverse secualities, perversive desires: representations of female fantasies and Yaoi manga as pornography directed ad women”. ----------------: p. 76-103.

Orbaugh, S. “Creativity and constraint in amateur manga production”. ---------------: p. 104-124.

Di Fratta, G. “Dal ‘pericolo giallo’ al simulacro tecnologico: il Giappone nei fumetti”. Atti A.I.STU.GIA. 27 (2003): p.149-162.

Di Fratta, G. “Il fumetto in Giappone: 1) L’evoluzione del manga dagli anni settanda agli anni ottanta”. Il Giappone 40 (2000): p. 127-156.

Di Fratta, G. “Il fumetto in Giappone: 2) il manga nella prima metà degli anni Ottanta”. Il Giappone 41 (2001): p. 205-221.

Di Fratta, G. “Il fumetto in Giappone: 3) dal cyberpunk al manga degli anni Novanta”. Il Giappone 42 (2002): p. 117-142.

“Manga: a medium to tell stories”. Interview with mr. Frederik Schodt. The Japan Foundation Newsletter 30, n.5 (June/July 2005): p. 1-3.

Thorn, M. “Japan: the Hollywood of manga”. Japan Echo 33, n.2 (Apr. 2006): p. 28-31.

Fusco, G. “Manga e shunga: la spontaneità dell’erotismo”. Atti AISTUGIA 29 (2005): p. 213-226.

Napier, S. “Matter out of place: carnival, containment, and cultural recovery in Miyazaki’s Spirited away”. The Journal of Japanese Studies 32, n.2 (Summer 2006): p.287-310.

 

Hosogaya, A. “Manga, anime, and otaku trends”. Japanese book news 50 (Winter 2006): p. 12-13.

Special feature: “Manga Mania”. Japan Plus 4, n.11 (March 2007): p. 2-21.

“The brotherhood of manga”. The Japan Journal 3, n.11 (March 2007): p.30-32.

a cura di G. Di Fratta. Robot: fenomenologia dei giganti di fero giapponesi. Caserta: L’Aperia, 2007.  (540/27)

Kitagawa, K. “Captain Tsubasa’ inspiers soccer fans, manga geeks”. The East 43, no.3 (Sept-Oct. 2007): p.7-10.

Di Fratta, G. “Il fumetto in Giappone: 4)Il manga di fine millennio”. Il Giappone 43 (2003): p. 175-186.

Di Fratta, Gianluca. “Anime in Europa: analisi comparativa delle dinamiche di ricezione culturale e delle prospettive di indagine scientifica”, in Atti AISTUGIA 30 (2006):p.173-190

Napier, Susan J. “Matter out of place: carnival, containment, and cultural recovery in Miyazaki's Spirited Away [animated film by the Japanese animator Miyazaki Hayao]”. in Journal of Japanese Studies  32, no.2 (Sum 2006) p.287-310

Baffelli, Erica. “I manga delle nuove religioni”, in Atti del XXX Convegno di Studi sul Giappone (Atti Aistugia, p.49-63. Lecce: Congedo Editore, 2008.

Miyake, L.K. “Graphically speaking: manga versions of The tale of Genji”. Monumenta Nipponica 63, n.2 (Autumn 2008): p. 359-392.

“Manga go global”. Fujimoto Yukari interviewed by Kono Michikazu. Japan Echo 36, n.3 (June 2009): p.57-60.

“healing old wounds with manga diplomacy: Ishikawa Yoshimi interviewed by Kono Michikazu”. Japan Echo36, n.6 (Dec. 2009): p.52-65.

Romiti, S. “Moto Hagio, tra fantascienza e shojo manga”. In Manga academica: rivista di studi sul fumetto e sul cinema di animazione giapponese, n.4 (2011): p.71-72

-----------------------“Moto Hagio, A sta per Astronave”. In ----------------: p.73-104.

Rosenbaum, R. “Towards a graphical representation of Japanese society in the Taisho Period: Jiji manga in Shinseinen”.  Japan Review 23 (2011): p. 177-197.

Kawana, S. “Romancing the role model: Florence nightingale, Shojo manga, and the literature of self-improvement”.  Japan Review 23 (2011): p. 199-223.

Casari, M. “Il teatro no e il manga”. Manga academica v.5 (2012): p. 9-30.

La Rana, R. “Fare manga. Tecniche di disegno e di scrittura nel fumetto giapponese”. ------------- p.31-51

Brignola, C. “L’apocalisse dei potenti Potere, violenza e scelta nelle opere di Go Nagai”. --------- p. 53-66.

Mastroleo, A. “Haru no yuki. Riyoko Ikeda intermpreta Yukio Mishima”. --------------------- p. 67-88.

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articolo online:

The Layout Method of Masterpieces in Hayao Miyazaki's "Castle in the Sky" Botticelli, Bruegel, Greco, Millet, Goya  [in Japanese]

KAWAKATSU Mari

Bulletin of Saitama Gakuen University. Faculty of Humanities 12 (2012-12 ), p. 245-258

CiNii Fulltext Link IR

 

 

in giapponese:

MOTA, Inuhiko. Manga genron. Tokyo: Chikuma shobo, 1994 (726/ N.8)

FUJISHIMA, Usaku. Takaga manga, Saredo manga. Tokyo : Shimizu Shoin, 1984 (726/ N.1)

ONO, Kōsei. Ajia no manga. Tokyo : Taishūkan Shoin, 1993 (726/N.6)

HAGIO, Moto. Watashi no shōjo manga kōgi = Lectures on shōjo manga. Tokyo: Shinchōsha, 2018. (726/N.53)

 

Tokushū: “Manga niji no sōgōgeijutsu”. Geijutsu techō n.764 (Dec. 1998)

Kenkyū. “Katsuraku suru Nihonsei anime٠manga”. Chūō Kōron 1396 (9/2000): p. 201-220.

 “Tokushu: Manga wa kokoni aru; sakka fairu”. Yuriika 35 n.15 (11/2003)

“Tokushu: Matsumoto Taiyo”. Yuriika 39 n.1 (1/2007)

“Tokushu: manga kara manga e” Wochi kochi (Enkin) 19 (Oct.Nov.2007)

「特集 生誕80周年記念: 手塚治虫を知るためのQ&A100」芸術新調59, n.11 (11/2008)

「大特集:つげ義春、マンガ表現の開者・デビュー60周拓年」芸術新潮65, no.11 (1/2014): p. 12-95.

 

 

articoli online in giapponese

The "Youkai Manga" and the Present Age  [in Japanese]

Watanabe Masato

"Youkai Manga", reflect changes in the human spirit and society from the post-war era to the present day. Mizuki Shigeru's Gegege no Kitaro, exemplifies the beginning of these changes. Contemporary "Y …

The journal of Seigakuin University 21(2), 249-260, 2009-03-31

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アニメーション映画『千と千尋の神隠し』にみられる二重の異郷訪問話譚構造について : ミハイ・ポップの「裏返し」モデルを適用した場合  [in Japanese]

大喜多 紀明

国語論集 11, 77-89, 2014-03

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A Consideration on the Similarities between "the Forest" in The Scarlet Letter and the Strange World in Sen to Chihiro no Kamikakushi  [in Japanese]

まり子

鹿児島女子短期大学紀要 49, 85-95, 2014

IR

The Downfall of Gods in "Spirited Away" : A Mirror Image, the Overturned Scenery and "Reversible Destiny-Yoro Park"  [in Japanese]

川勝 麻里 , Mari KAWAKATSU

埼玉学園大学紀要. 人間学部篇 (13), 181-192, 2013-12

IR

Are Miyazaki Hayao's Animations on the Waves of Media Globalization?

YOSHIDA Junko

Studies 60(2), 147-157, 2013-12

CiNii Fulltext PDF - Open Access  IR DOI

Sen to Chihiro no Kami-kakushi and Gake no Ue no Ponyo as Educational Materials in Japanese High Schools  [in Japanese]

河原木 有二 , 一氏 由希 , 岡部 利圭子

九州女子大学紀要 50(1), 87-103, 2013

IR

The Layout Method of Masterpieces in Hayao Miyazaki's "Castle in the Sky" Botticelli, Bruegel, Greco, Millet, Goya  [in Japanese]

KAWAKATSU Mari

Bulletin of Saitama Gakuen University. Faculty of Humanities 12, 245-258, 2012-12

CiNii Fulltext Link IR

The Marginal World and the Role of Water in the Films of Hayao Miyazaki

Asai Chiaki

千里金蘭大学紀要 8, 10-15, 2011-12-29

CiNii Fulltext PDF - Open Access  IR

スタジオジブリと近代文学 -「千と千尋の神隠し」と泉鏡花「龍潭譚」  [in Japanese]

箕野 聡子

Kobe Kaisei review 48, 1-17, 2009

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2. アニメーション映像における色恒常 : 「千と千尋の神隠し」の赤み問題について(I デジタル復元映画の上映と講演, 映画作品のデジタル復元と色彩-文化を伝えるデジタル技術をめざして, 画像色彩研究会・関東支部共催公開シンポジウム報告)  [in Japanese]

市原 恭代

Journal of the Color Science Association of Japan 29(3), 243, 2005-09-01

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The Junctive Narratology in "Spirited Away"  [in Japanese]

角田 , 佐藤

生活科学研究 27, 1-9, 2005-03

IR

Le Voyage de Chihiro et les Francais  [in Japanese]

TAKAOKA Atsuko

Baika Women's University Faculty of Cultural and Expression Studies bulletin 1, 111-129, 2004-12-25

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Adolescent Mourning in the Contemporary Society : Considerations from "Spirited Away (Sen to Chihiro no Kamikakusi)"(<Special Issue> Honer of Professor Nobuhiko Kamiya)  [in Japanese]

GOTO Shuji

Bulletin of School of Community Policy, Aichi Gakusen University 6, 63-82, 2003-12

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中学校動画リテラシー教育の実践 : 総合単元「もうひとつの世界-「千と千尋の神隠し」の扉を開く-(1学年)  [in Japanese]

遠藤 瑛子

全国大学国語教育学会発表要旨集 104, 92-95, 2003-05-24

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The Meaning of Being Spirited Away, The Escape from Anxiety Dream A Psychological Consideration on "Sen to Chihiro no Kamikakusi"  [in Japanese]

Matsumoto Yukihiro

Studies in childhood education 22, 34-70, 2003-03-01

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宮崎駿作品『千と千尋の神隠し』に関する一考察 : 子供の危機と"居場所探し<の物語として読み解く  [in Japanese]

伊藤 賀永

4, 4-19

IR

現代欲望論 : 宮崎駿作品『千と千尋の神隠し』をめぐって  [in Japanese]

杉田 正樹

3, 6-23

IR

The role of architectural facdes in MIYAZAKI Hayao's Spirited Away  [in Japanese]

藤本 憲太郎||フジモト ケンタロウ||Kentaro Fujimoto

This paper will consider the role of architectural facades in Miyazaki Hayao's movie Spirited Away with particular reference to their metaphorical function in:(1)realizing meaning in the movie and how …

関東学院大学人間環境学会紀要 4, 89-100

IR